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Month

July 2011

50 posts

Jun 30, 20112 notes

June 2011

45 posts

Wall Street Journal on Eloisa James → online.wsj.com

sswslitinmotion:

Fascinating article about Eloisa James, who in real life is Mary Bly, professor.  What’s funny: I want to hear more about her life as a Shakespeare/Renaissance studies professor at Fordham University (who doesn’t love Shakespeare?). I’m totally reading her romance novels out of order as it is.

This is super cool and makes me like her even more. I met and chatted with her, albeit very briefly, at the RWA literacy signing event this evening. 

Jun 28, 20112 notes
#romance novels #eloisa james
Jun 27, 201178 notes
#historical figures rendered in dairy products #cheese #abe lincoln
Jun 24, 201136,611 notes
this week I accidentally watched a lot of movies about the sixties

I’ve found that members of my generation tend to either be totally obsessed with or else totally loathe the Age of Aquarius. I’m sort of neutral, although I guess I lean favorably. My parents are recovering hippies, for one thing, and I went through a phase when I was maybe thirteen or fourteen in which my BFF at the time and I decided we’d been reincarnated from foolish girls who had died of drug overdoses ca. 1969. (This same friend had a Ouija board, and she claimed never to have moved the pointer thingie, I’m so sure. A hippie ghost once convinced me I should put the moves on the boy I had a crush on in tenth grade. That ended in disaster, but that is a story for another time.) My mom and I saw the recent Hair revival when it premiered in Central Park and had a really great time there together, and I was just arguing with friends last night about how I like the musical even if I don’t think it has much relevance anymore. And also, I went on my very first date at age 14 to see Forrest Gump of all things. So—warm place in my heart, basically.

So sixties nostalgia—I don’t hate it, but I get why it’s annoying. Movies made about the sixties now tend to be colorful schlockfests. Exhibit A is Julie Taymor’s Across the Universe, which, let me save you the money and direct you to the soundtrack, which is fun. It is otherwise every movie about the sixties you’ve ever seen. Not unlike A Walk on the Moon, which I actually do like, though it has the dubious distinction of being both Every Sixties Movie You’ve Ever Seen (there’s a bit about the moon landing AND they go to Woodstock) and being a movie in which Diane Lane cheats on her hot husband with someone arguably hotter. (Liev Schreiber plays her conservative, kinda uptight, electronics repairman husband who is too busy with work to come up to camp in the Catskills. Viggo Mortensen plays the hippie free spirit she has an affair with.)

Huh, I’ve seen a lot of movies about the sixties.

I’m going to talk about two now, and I want you to keep in mind that I’m not very good at writing about visual media, so this is kind of a cobbled together thing. Go with it. Smile and nod.

Read More →

Jun 24, 20119 notes
#longreads #movies #books #nostalgia #sixties
Jun 24, 201124 notes
#mustaches #baseball #jorge posada
The Jon-Jon Goulian Bubble Bomb → theawl.com

With zero judgment towards the author or content of the book, I think this kind of proves the point I’ve been making about outmoded business models in the publishing industry. I read at least one of the Times reviews of Goulian’s book, and although it’s an interesting idea for a memoir and could very well be a great book, is it really one worth a six-figure advance, Random House? The original Page Six story the Awl quotes from says the book has sold less than 1,000 copies in its first month, and would have to sell 200,000 copies to be profitable—200,000 is a long shot for any book. (Not quite, like, JK Rowling or Stephanie Meyer numbers, but 200,000 copies is solid bestseller territory; Goulian never cracked the bestseller list. Keep in mind that books don’t sell consistently over time; most sales happen when the book is first released. And if there are a lot of bookstore returns? Fugeddaboudit.) So, basically, the Big Six are still shelling out gigantic advances they can’t possibly hope to recoup, and this is a good business strategy? (I mean, other factors, etc.—if, say, the book goes to auction and the author has a good agent, it means he gets the huge advance or he goes to another publisher, and that’s why publishers throw a lot of money at books—but I still think this is how the big publishers do themselves in. We won’t even talk about how poorly the agency pricing model undermines the big houses where ebooks are concerned. That’s another post.)

Jun 23, 20111 note
#publishing
Jun 23, 201135 notes
#mobsters #massachusetts #umass
oh also!

I was asked to write an article on m/m romance for my local RWA chapter’s newsletter, so I’m turning over ideas, and the Angela James article mentions the genre with the same old parenthetical it always gets—”(written for and usually by straight women)”—and every time I see that, it annoys me. I think writers write for everyone, or I write for everyone anyway, and sure, the genre has a ton of straight female readers and writers, but it also has readers from all other walks of life (I met a bunch of them at the LGBT book fair I went to in March!), and can we get over the novelty of women being turned on my gay romance?

Furthermore, I think one of the reasons LGBT romance has thrived in the epubs is that there’s an audience for it, a substantial one, but mainstream publishers still aren’t touching it, and professional organizations for romance writers are somewhat conservative. There are plenty of notable exceptions (Suzanne Brockmann comes to mind; she just put out a short in the Troubleshooters series called “When Adam Met Tony,” plus Lambda Literary has gay and lesbian romance categories in their awards every year).

I have lots of side opinions—just because a book exists, it doesn’t mean it’s good, and I read some really terrible LGBT romance novels (as well as some really phenomenal ones), but one of the things I like about the e-publishing movement is that it’s more willing to take risks than the “legacy publishers” (I really hate that term, if the scare quotes don’t make that clear) which I think means good things for publishing generally. (Not just LGBT, but also what has come to be called “multicultural romance” [romance with characters who are not white, basically] and “alternate sexualities” [which mostly means BDSM, from what I can gather] and other sorts of stuff that the traditional publishers still aren’t really touching.)

Okay, I will stop preaching now. :-)

Jun 23, 20119 notes
#lgbt #ebooks #romance novels
romance novels are steaming up e-readers → fastcompany.com

This is one of the better articles I’ve read recently on digital-first publishing and the economics of that way of doing business. It’s a profile of Angela James, the executive editor of Carina Press (Harlequin’s digital-first imprint) and there’s a lot of discussion here of what I think is a segment of publishing that is so often left out of the “legacy publishing” (*groan*) vs. self-publishing debate. 

In other words, small, digital-first publishers—who publish primarily ebooks but some print as well, and who work on a model of small or no advances but much higher royalty rates, and are often smaller operations with a mostly-freelance staff—are thriving, at least in romance. That’s nothing to sneeze at, though, since romance represents a huge portion of the book market. The article makes a good case for this model being a good way of doing business, and it’ll be interesting to see if more publishers shift or establish imprints that follow it in the future.

Caveat: A lot of epubs have popped up in recent years, and I do think they are going to take up a bigger share of the market, but not all of them are good. I can see getting into ebook publishing because it seems cheaper than the old print route, and it is insofar as you don’t have to pay for paper, but you DO still have to pay for editors and designers, and this is where some of the second-tier epubs are cutting corners. I think readers will catch on and stop buying from publishers with shoddy editing, comically bad cover art, or that consistently put out ebooks laden with formatting errors. So hopefully the cream rises to the top in that respect, and the epubs that are doing their jobs well are gaining recognition and loyal readers while the ones doing a disservice to authors and books will fold. Time will tell, I suppose.

And in hyperbolic headlines, the Telegraph thinks Pottermore is <a href=”http://www.telegraph.co.uk/technology/8593935/JK-Rowlings-Pottermore-is-a-landmark-for-digital-publishing.html”>”a landmark for digital publishing.”</a> *sigh* I… doubt that.

Jun 23, 2011
#ebooks #publishing #i have opinions
Game of Thrones of Muppets: You wink or you die. → gameofthronesofmuppets.com

chrysilla:

You are welcome.

These are pretty awesome.

Jun 22, 20114 notes
#game of thrones #muppets make everything awesome #does this give me extra nerd cred
For my fellow Americans → isi.org

This got reblogged a lot and I cut out a bunch of other responses, but here’s the interesting stat:

Are you more knowledgeable than the average citizen? The average score for all 2,508 Americans taking the following test was 49%; college educators scored 55%. Can you do better?

Why, yes, as it happens: “You answered 30 out of 33 correctly — 90.91 %”

Of the 3 I missed, two were about economics, which seems about right, because finance and I do not understand each other. (Not for lack of effort, I should make clear; I don’t think there’s much to admire in willful ignorance, I just have a really, really difficult time understanding economics/finance/complicated money things.)

Anyway, insert the requisite sturm und drang about how ignorant Americans are here. Actually, what surprises me is that a lot of elected officials know less about history and civics than I do. I know I’m a nerd, but if you care enough to run for office, shouldn’t you—you know what? I’m not gonna even ask. We’re doomed, etc.

Jun 22, 20111,706 notes
#silly quizzes #nerdery #but seriously
another article on self-publishing → salon.com

Once more with feeling, this time on Salon: a thriller writer sold his 1 millionth ebook (*Dr. Evil voice*) and so everyone’s like, “So self-publishing, that’s a thing!” This coupled with the NY Times story about Amanda Hocking over the weekend has everyone talking again.

I’ve said it before, but: I’m personally really fascinated by these self-publishing phenomena, but this new guy, the unlikely named John Locke (who is neither a reincarnation of the 17th-century writer nor the character from Lost, sadly) is selling a Kindle book called How I Sold 1 Million eBooks, which superficially seems to delight in being a thing any amateur can do (despite the fact only 9 authors have done it, according to Salon). Salon had the forethought to at least add in some quotes from self-publishing critics that are all, “Editors are important!” and a long section of Hocking’s blog post from March in which she explained that self-publishing is a shit-ton of work. 

I feel like I keep seeing the same article over and over again, though. Are people still laboring under the delusion that they can spend a weekend writing a novel with a popular trope and sell a million copies the next week? Well, probably those people won’t be reading my tumblr anyway.

Jun 22, 201110 notes
#ebooks #self-publishing #now don't start that again
Jun 22, 2011463 notes
#cute animals #polar bears #cold chillin' #sub-arctic office spaces
Jun 21, 2011475 notes
the Wal-Mart ruling → youngfeministtaskforce.blogspot.com

fuckyeahfeminists:

“After 10 long years, a final decision has been handed down in Wal-Mart v. Dukes, the largest class-action lawsuit in our nation’s history. It’s not good. Today, a Supreme Court majority ruled against women by siding with the country’s largest employment discriminator, saying Wal-Mart, essentially, is too big to sue. The brave women, led by Betty Dukes, who stood up to Wal-Mart at great personal sacrifice, were told simply they’re on their own.” ..what in the actual fuck? so basically if you want to legally oppress people you have to make sure you’re a huge corporation or a member of the government. awesome country I live in.

*sigh* I call myself a feminist, but I get kind of itchy at this kind of knee-jerk response, and although I obviously side against sexism, the above is not accurate. Let’s break it down.

The actual Supreme Court ruling had nothing to do with the substance of the case, but whether all of the female employees of Wal-Mart since 1998 (something like 1.5 million women) can be considered a “class” in a class-action suit. Wal-Mart didn’t really “win” the suit; the court merely ruled that a group of women who might have had vastly different experiences at the hands of different individual managers at different Wal-Mart stores cannot be considered a class. The plaintiffs, if still seeking justice, can bring individual claims against Wal-Mart, which, while not addressing the pervasiveness of discriminatory policy among Wal-Mart managers, might at least do some good. (I thought Salon broke it down pretty well.)

That is, the ruling sucks, particularly for the women trying to bring down a whole corporate culture that systematically treats its male employees better, but it’s not an example of sexism per se on the part of the court, nor is it a ruling that really favors sexism, it’s a ruling that says the women who brought suit have to seek another avenue for justice.

According to Salon:

For the plaintiffs in the Dukes case, the decision is huge blow. The individuals seeking damages for discrimination could now file individually, but even if individual filings were successful, they would not challenge the pervading discrimination pointed to in the Dukes case.  Ginsburg wrote in her decision: “Women fill 70% of the hourly jobs in the retailer’s stores, but make up only 33% of the management employees… The higher one looks in the organization, the lower the percentage of women.” Individual damages claims will not address this.

The ramifications for U.S. workers may be more troubling. In decertifying this class, the Supreme Court has set a difficult standard for any future large-scale class actions. The Supreme Court’s decision is another in a long line of rulings by the Roberts Court that side with corporate interests, a trend Dan Manatt noted on the HuffPo last year. And, crucially, the decision could undermine class actions as a vital means to challenge pervasive biases in big companies.

So the ruling is problematic, to put it mildly, especially given the pro-corporate leanings of the court. But can we maybe consider the implications of what the decision actually says instead of being all “the court ruled for Wal-Mart, sexism triumphs, grar!”

Jun 21, 201138 notes
#knee-jerks #feminism #supreme court #read the fine print
Jun 16, 201182 notes
#Jeter's trying to set Jorge on fire with his eyes
really, i just like this sign

citizenkerry:

If you move to New York, you’ll inevitably hear that all the cool people live in Brooklyn and that it’s the better borough. So much nicer than Manhattan.

I really hate to think this is true, because I live in Manhattan, and I’m so tired of moving. I prefer to believe people who say this are insecure about their decision to leave Manhattan. 

(But what if they are right?!?!) 

image

At least I’m asking important questions. 

I don’t mean to start a Brooklyn vs. Manhattan flame war, but having lived in both places, I prefer Brooklyn. BUT! Maybe my perspective is skewed? My Manhattan experience was Upper Manhattan (Inwood), which is SO FAR from everything. And I think sometimes that if I could afford to live anywhere in the city, I’d probably choose the Upper West Side, but I love Park Slope/Prospect Heights, even if it is overrun with babies.

Jun 16, 201159 notes
#but seriously brooklyn is so awesome #all the cool people etc.
Jun 15, 2011190 notes
Jun 15, 2011246 notes
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